Stitch by Stitch: The Art and Process of Zoe
By. Alicia Zamora
A Conversation with Zoe
In an exclusive interview with Alicia’s Studio, featured in our upcoming magazine issue, we sit down with Zoe, a rising textile artist and fashion design student who’s redefining what it means to create with intention. Known for her playful yet deeply thoughtful work, Zoe is carving out a bold and colorful space for herself in the fashion world—one stitch at a time.
Throughout the conversation, Zoe opens up about the early influences that drew her to design, from crafting as a child to discovering a love for crochet and sewing. She shares how her pieces are often made with specific people in mind, transforming yarn and fabric into personal offerings that speak volumes without words.
We talk about everything—from her love of collaging to the challenges of custom orders, the joy of creating wearable art, and the quiet rebellion of moving at her own pace. Whether she’s crocheting a flower bouquet for a friend or blending sewing with texture in a one-of-a-kind bucket hat, Zoe’s process is rooted in care, intention, and self-expression.
Zoe is genuinely one of the coolest people I’ve met—thoughtful, creative, and effortlessly original. Her honesty about the highs and lows of being an artist is refreshing, and her story is just as inspiring as her work. We’re proud to share it with you in this special feature—and even more excited to see what she creates next.
Diving In
Alicia: Hi Zoe! You can go ahead and introduce yourself !
Zoe: Okay, so my name is Zoe. I guess you could say I’m a textile artist. I'm currently going to school for fashion design, and I crochet a lot.
Alicia: If your crochet and sewing work had a personality, how would you describe it? What emotions or messages do you hope people feel when they see your creations?
Zoe: I thought about this a little, but it's still hard to explain. I think my work is mostly fun and kind of quirky—like me right now. A lot of the things I’ve made have just been colorful and playful, so I hope people pick up on that. Also, a lot of my pieces have been made specifically for people. So I hope they feel seen when they look at them—like they recognize something in the work that reflects themselves.
Alicia: Have you thought about selling your work?
Zoe: I’ve thought about selling more of my work, but it’s hard. There’s no guarantee everyone’s going to want the same thing. Making the same piece over and over would get boring for me. But if people want custom things—hit me up, I’ll make them.
Alicia: Many creatives have little rituals before starting a project—do you have any habits, superstitions, or routines that help spark your creativity?
Zoe: I definitely need to plan everything out. I’m that kind of person. I usually start with a drawing or sketch, then write out the steps. I need a clear starting point—otherwise I get overwhelmed and just don’t start at all.
Zoe: What else? Oh! I really like doing collages. One of my classes had us make one, and I was like, “Wait, this is so me.” I love it.
Alicia: I see you doing things for artists too, like how you get ideas based on their music or their vibe. I saw you doing something different at that event and thought, “Oh Wow!”
Alicia: If you could turn one of your pieces into a full-blown fashion collection or installation, what would it be?
Zoe: Right now, I really like mixing crochet and sewing, so I’d want to do something like that. I don’t have a super specific vision yet, but I did make a little bucket hat for Andre—kind of a mix of both techniques—and I thought it looked really cool. It was just a little hat. I gave it to him at your last event. I actually texted him like, “Yo, let me make you something,” and I said it was going to be a hat. But then I didn’t make it for months. I ended up owing him a hat forever.
Alicia: How long did it take you to make?
Zoe: This one didn’t even take that long—maybe four hours? I tend to work in small chunks, but I really like sitting down and finishing things all in one go. It’s probably not great, but that’s how I work. So yeah, maybe I’d want to make jackets or pants like this—or something similar. Thanks.
Alicia: What’s a technique or material you’re dying to experiment with but haven’t yet?
Zoe: Some of my friends wanted pants from me. It was going to be the first custom order I ever did, and I just had no idea how to start. I hadn’t taken enough classes to really understand pattern-making yet. So I sat there thinking, tried making a pattern, and… yeah. That one kind of failed. I still haven’t made them the pants.
Zoe: I definitely like making clothes. People tell me, “You should crochet plushies and sell them!” But I hate making plushies. I’ve done it before.
Alicia: I mean, they sell well. I see them at flea markets.
Zoe: Yeah, but I hate making them. I don’t enjoy it. I’d rather spend my time on something I love—even if it doesn’t sell as easily.
Zoe: I really like that I’m learning to sew, because I feel like it opens up so many more possibilities. Crochet is great, but it's stretchy. It’s hard to control the structure. But sewing—especially when I learn more about tailoring—will help me make actual silhouettes. And that’s exciting. When I’m crocheting something, I can literally make it up as I go. Sometimes I don’t even write it down. I’ll just be like, “This looks good. Let’s keep going.” But when I’m sewing, I can’t really do that. There’s more math involved. It’s more exact. It’s frustrating, but it’s also fun to challenge myself.
Zoe: I’ve always liked making things with my hands. Like, when I was little, I was always crafting something—cutting things out, gluing stuff together. I feel like I’ve always been an artist, but I didn’t call myself that until recently. Now I’m like, “Yeah, I’m an artist.” Even though sometimes it still feels weird to say it out loud.
Zoe: Honestly, I feel like I’m still figuring out what kind of artist I want to be. I’m learning, trying new things, failing a lot. But it’s fun. I like not knowing exactly where I’m headed.
Alicia: I love that. That’s so real.
Zoe: Yeah, it’s like… freeing, in a way. There’s no one path. I don’t know if this sounds weird, but sometimes I feel like my art is a way for me to connect with people—without having to explain myself. Like, I’m not the best at talking. I get nervous. But when I give someone something I made, it’s like, “Here. This is how I feel. This is me.”
Zoe: I had this friend who was going through a hard time, and I made them a little flower bouquet. Just crocheted flowers. And they cried when I gave it to them. It was like… that moment made me realize how powerful creating something can be.
Zoe: It’s funny because people think of crocheting as this grandma hobby. But it’s not! It’s so versatile. You can make anything. I want to push that boundary—show people that crochet can be modern and fashionable and expressive.
Zoe: I don’t really care about being trendy. I just want to make stuff that feels like me. And if someone connects with it, that’s amazing. But I’m not doing it for clout. I’ve definitely had moments where I’m like, “Should I be doing more? Should I be posting more?” But then I remember—I don’t have to move at anyone else’s pace. My journey is my own. I think that’s what art is, really. It’s not about being perfect or fast or popular. It’s about being honest. Making things that come from the heart. And sometimes, that means taking a break. Resting. Breathing. Because if I’m not okay, my art won’t be either.
Zoe: I don’t know. I think it’s easy to get caught up in the pressure to be productive all the time. But slowing down is part of the process too. I want to be more intentional with what I make. Like, really think about why I’m doing it, and who I’m doing it for. Sometimes it’s for other people. Sometimes it’s just for me. Both are valid. And sometimes… it’s just because I thought it would be cute. And that’s enough.
Zoe: I’m trying to remind myself that I don’t need a deep reason all the time. If I made something and it brought me joy, that’s more than enough. Art doesn’t always have to be serious. It can be silly. Soft. Beautiful in a small way. And that’s the kind of artist I want to be.
Zoe: Oh! I forgot to show you the flower bouquet I made for my friend. Wait—hold on.
Zoe: Okay, here it is. I took a picture before I gave it to them. It had pink, purple, and white flowers. I wrapped them in brown paper and tied it with string. They looked so cute. I think that’s one of my favorite things I’ve ever made. I want to do more pieces like that—ones that feel like gifts, even if no one asked for them. I think handmade things are so underrated. Like, someone took the time to make this—for you. That’s love.
Zoe: We live in such a fast-paced world. Everyone wants things immediately. But I think slowing down and making something by hand—that’s radical in its own way. Even if it’s just a tiny flower. It matters. So yeah. I guess that’s what I want my work to be about. Care Intention Slowness Color And joy. I think that’s the biggest thing. I want people to feel joy when they see my art. That’s what makes it all worth it.